JOMINI AND CLAUSEWITZ:
An edited version of a paper
presented to the 23rd Meeting of the
Consortium on Revolutionary Europe
at Georgia State University
26 February 1993. Copyright
Differences Between the Two Theorists
Conclusions: The Return of
At least three
important military theorists emerged from the experience of the wars of
the French Revolution and Napoleon: The Austrian Archduke Charles; the Swiss
writer Antoine-Henri Jomini; and the Prussian Carl von Clausewitz. The archduke
has had very little influence in the United States or Great Britain, since
his work was never translated into English.*1 The military-theoretical traditions
founded by Jomini and Clausewitz, however, have very definitely had an impact
on our military thinking.
Most frequently, Jomini is treated as being somehow the opposite of Clausewitz:
military educators often hurl the epithets "Jominian" and "Clausewitzian"
at one another as if those single words somehow summed up their opponents'
fallacious world-views and defects of personal character. On the other
hand, a number of thoughtful observers have considered the differences
betweem Jomini and Clausewitz to be rather inconsequential. Alfred Thayer
Mahan is a case in point. Mahan's father, military educator Dennis Hart
Mahan, is generally considered to have been a devout Jominian, and so
is his son (though in fact both were creative thinkers in their own right,
and calling them "Jominians" is an unfair characterization). The younger
Mahan eventually became familiar with Clausewitz,*2 calling him "one of
the first of authorities." However, he found Clausewitz to be in essential
agreement with Jomini in all significant respects,*3 so he continued to
put forth his arguments in largely Jominian terminology.*4 The great British
Clausewitzian Spenser Wilkinson thought that Mahan and Clausewitz were
in general accord.*5 In Germany, Albrecht von Boguslawski also argued
that Jomini and Clausewitz were saying the same thing. More recently,
US Naval War College Professor Michael Handel has sought to reconcile
the two theorists.*6
Thus Jomini and Clausewitz often appear either as opposites or as twins.
As usual when we are given a choice between two such clear alternatives,
neither really proves to be very useful and the truth lies somewhere else.
In reality, Jomini and Clausewitz saw much the same things in war, but
saw them through very different eyes. The similarities in their military
ideas, which are indeed very great, stem from three sources:
1. A common historical interest in the campaigns of Frederick the Great
2. Long personal experiences in the Napoleonic Wars, albeit usually on
3. They read each other's books.
Despite having these things in common, their approaches to military theory
were fundamentally different, and the source of these differences can
be found in their very different personalities.
This is not the place to delve terribly deeply into the arcane theoretical
details of these two men's work. Instead, I want to focus on the sources
of our modern-day confusion: Why is it that Jomini and Clausewitz look
so radically different to some observers, yet so very similar to others?
I will attribute this confusion to our frequent lack of sensitivity to
the differences in the two men's experiences and personalities, and to
the way in which they interacted over time.
Carl von Clausewitz (1780-1831) was a professional soldier from the age
of 12 to his death from Cholera--a disease he incurred on active duty--at
the age of 51. He first saw combat in 1794 when he was 13. He experienced
first-hand Prussia's disastrous military humiliation by Napoleon in 1806,
was captured, and returned to Prussia a passionate military reformer.
As a junior staff officer, he worked closely with the great Prussian military
reformers Gerhard von Scharnhorst (who was his mentor) and August von
Gneisenau (who became his friend and protector). In 1810, he was appointed
military tutor to the crown prince, for whom he wrote (in 1812) a military
treatise we call The Principles of War.*7 The same year, on a matter
of high principle, he gave up his commission and joined the Russian army
to fight Napoleon. He fought throughout the Russian campaign and on through
the Wars of Liberation of 1813 and 1814. He was Prussian III Corps chief
of staff during the campaign of 1815. It was Clausewitz's corps which--outnumbered
two-to-one--held Grouchy's forces at Wavre, contributing decisively to
Napoleon's defeat at Waterloo.
Clausewitz had a reputation in the Prussian army as both an idealist
and a superb staff officer, but he was considered temperamentally unsuitable
for command. No hint of personal scandal attaches to Clausewitz, and his
intellectual integrity was the driving force behind the ruthless examination
of military-theoretical ideas that we find in his greatest book, On
War. However, while he rose very high in the King's service, he was
widely considered too open to liberal ideas to be altogether politically
reliable. His ideas on war are heavily influenced by the mass popular
warfare of the French Revolutionary period, and those ideas were uncomfortable
to conservative aristocrats.
Clausewitz's relationship to Napoleon is often misunderstood. Although
he is often called the "high-priest of Napoleon" (Liddell Hart's and J.F.C.
Fuller's term for him), it is important to note that, in fact, Clausewitz
represents not the ideas of Napoleon but rather those of his most capable
opponent, the Prussian military reformer Gerhard von Scharnhorst.
The man who did claim to interpret Napoleon to the military world was
Antoine-Henri Jomini, later Baron de Jomini, a French-speaking Swiss (1779-1869).*8
Originally headed for a career in banking, young Jomini got carried away
by the excitement of the French Revolution and joined the French army
in 1798. He returned to business in Switzerland after the Peace of Amiens
(1802), where he began writing on military subjects. His Traité
de grande tactique was first published in 1803. He continually revised,
enlarged, and reissued it into the 1850s.
Rejoining the army in 1804, Jomini was accepted as a volunteer staff
member by Marshal Ney (who had loaned him the money to publish his Traité
de grande tactique).*9 He served in the Austerlitz and Prussian campaigns,
then in Spain. He finally received an actual staff commission in the French
army at the behest of Napoleon a while after Austerlitz. He served for
a while as chief of staff to his long-time mentor, Marshal Ney. Jomini's
arrogance, irascibility, and naked ambition often led to friction with
his fellows and eventually to a falling-out with Ney. Eventually, however,
Jomini was promoted to brigadier general and given a succession of fairly
responsible staff positions, mostly away from actual troops. Following
his recovery from the rigors of the Russian campaign, he was reassigned
to Ney in 1813. However, he was shortly thereafter arrested for sloppy
staff work. His ambitions thwarted by real or imagined plots against himself,
Jomini joined the Russian army in late 1813. He spent much of the remainder
of his long career in the Russian service.
During his actual military career, "Jomini ... [had been] a very minor
figure, seldom mentioned in orders or dispatches, practically ignored
in the memoirs of the officers who had served with him."*10 Nonetheless,
he became by far the best known military commentator of his day, and maintained
that position through zealous self-promotion. His most famous work, Summary
of the Art of War, was written, like Clausewitz's Principles of
War, for a royal prince to whom he was military tutor. Although long
since retired, he advised Czar Nicholas during the Crimean War and Napoleon
III during his Italian campaigns. Even during Jomini's lifetime, however,
there were many prominent military men who viewed Jomini with great skepticism.
The Duke of Wellington considered him a pompous charlatan.*11
In his maturity, Jomini grew wary of the revolutionary passions that
had originally inspired him to take up the sword himself. Perhaps his
dependence on the czar, one of the most conservative rulers in Europe,
had some influence on his attitude. It is one of the ironies of history
that Clausewitz, an officer of the conservative king of Prussia, should
be the one to base his theories on the most radical legacy of the revolutionary
period, while Napoleon's own staff officer and interpreter, Jomini, should
aim his theories at the professional officer corps of essentially eighteenth
Jomini's military writings are easy to unfairly caricature: they were
characterized by a highly didactic and prescriptive approach, conveyed
in an extensive geometric vocabulary of strategic lines, bases, and key
points.*12 His fundamental prescription was simple: place superior power
at the decisive point. In the theoretical work for which he gained early
fame, chapter XXXV of the Traité de grande tactique, he
constantly stressed the advantages of interior lines.
Jomini was no fool, however. His intelligence, facile pen, and actual
experience of war made his writings a great deal more credible and useful
than so brief a description can imply. Once he left Napoleon's service,
he maintained himself and his reputation primarily through prose. His
writing style--unlike Clausewitz's--reflected his constant search for
an audience. He dealt at length with a number of practical subjects (logistics,
seapower) that Clausewitz had largely ignored. Elements of his discussion
(his remarks on Great Britain and seapower, for instance, and his sycophantic
treatment of Austria's Archduke Charles) are clearly aimed at protecting
his political position or expanding his readership. And, one might add,
at minimizing Clausewitz's, for he clearly perceived the Prussian writer
as his chief competitor. For Jomini, Clausewitz's death thirty-eight years
prior to his own came as a piece of rare good fortune.
DIFFERENCES BETWEEN THE TWO THEORISTS
Aside from their differing relationships to Napoleon, the fundamental
differences between Clausewitz and Jomini are rooted in their differing
concepts of the historical process and of the nature and role of military
Clausewitz saw history in relative terms, rejecting absolute categories,
standards, and values. The past had to be accepted on its own terms. The
historian must attempt to enter into the mindsets and attitudes of any
given period, the "spirit of the age." History was a dynamic process of
change, driven by forces beyond the control and often beyond the comprehension
of any individual or group. This historicism is particularly obvious in
two key themes of On War that are missing in the 1812 Principles
of War. These are the famous notion that "War is a continuation of
politics with an admixture of other means" (i.e., organized violence)
and the recognition that war can vary in its forms depending on the changing
nature of policy and of the society within which it is waged.
In contrast, Jomini's view of history and of war was static and simplistic.
He saw war as a "great drama," a stage for heroes and military geniuses
whose talents were beyond the comprehension of mere mortals. He saw the
revolutionary warfare in which he himself had participated as merely the
technical near-perfection of a fundamentally unchanging phenomenon, to
be modified only by superficial matters like the list of dramatis personae,
technology, and transient political motivations. He drew his theoretical
and practical prescriptions from his experiences in the Napoleonic wars.
The purpose of his theory was to teach practical lessons to "officers
of a superior grade."
Accordingly, Jomini's aim was utilitarian and his tone didactic. His
writing thus appealed more readily to military educators. His later work, Summary of the Art of War (Precis de l'Art de la Guerre,
1838), became, in various translations, popularizations, and commentaries,
the premier military-educational text of the mid-nineteenth century.*13
Much of the contrast between Jomini and Clausewitz*14 can be traced to
such philosophical factors--and to the frequent abridgement of On War,
which makes it appear much more abstract than Jomini's work when in fact
they often discussed the same practical subject matter. Despite his insistence
that theory must be descriptive rather than prescriptive in nature, Clausewitz
frequently provides instructive discussions of common military problems
like contested river crossings, the defense of mountainous areas, etc.
As the discussion so far has indicated, there were many parallels and
many points of divergence in the personalities, military experiences,
and underlying philosophies of these two men. There were also, however,
some rather interesting points of intersection. Jomini and Clausewitz
may have caught a glimpse of one another from opposite sides during the
tragic crossing of the Beresina river during the French retreat from Moscow,
but there is no evidence that they ever met. Nonetheless, they interacted
intellectually, influencing one another's thinking over a long period
When the young Clausewitz wrote his Principles of War (1812) for
his student the Prussian crown prince, he seems to have been rather taken
with Jomini and his argument about interior lines.
"In strategy,... the side that is surrounded
by the enemy is better off than the side which surrounds its opponent,
especially with equal or even weaker forces.... Colonel Jomini was right
He also used a great deal of Jomini's geometric vocabulary of bases, lines,
and points, and was, like Jomini, positive about the usefulness of mountains
as defensive lines. Later, in On War, he would be quite skeptical
on all these matters. The young Clausewitz also accepted Jomini's fundamental
strategic theme: "The theory of warfare tries to discover how we may gain
a preponderance of physical forces and material advantages at the decisive
point." Even this early in his evolution, he then went on to stress something
we think of as more typically Clausewitzian: "As this is not always possible,
theory also teaches us to calculate moral factors: the likely mistakes of
the enemy, the impression created by a daring action,... yes, even our own
Given twenty years to think about such matters, however, Clausewitz became
extremely skeptical of Jomini. In On War, Clausewitz's sweeping
critique of the state of military theory appears to have been aimed in
large part at the Swiss:
It is only analytically that these attempts
at theory can be called advances in the realm of truth; synthetically,
in the rules and regulations they offer, they are absolutely useless.
These passages immediately follow Clausewitz's sneers at the "lopsided character"
of the theory of interior lines, comments unquestionably directed at Jomini.
As a result of these comments, some writers have claimed that Clausewitz
was an advocate of concentric attacks, in contrast to Jomini's advocacy
of "interior lines." In fact, Clausewitz spent more time discussing concentric
operations in part simply because he felt that Jomini had already done so
good a job explaining the opposite approach. The choice of either would
depend, as always in Clausewitz's reasoning, on the specific situation.*18
They aim at fixed values; but in war everything is
uncertain, and calculations have to be made with variable quantities.
They direct the inquiry exclusively toward physical
quantities, whereas all military action is intertwined with psychological
forces and effects.
They consider only unilateral action, whereas war
consists of a continuous interaction of opposites.... Anything that
could not be reached by the meager wisdom of such one-sided points of
view was held to be beyond scientific control: it lay in the realm of
genius, which rises above all rules.
Pity the soldier who is supposed to crawl among these
scraps of rules, not good enough for genius, which genius can ignore,
or laugh at. No; what genius does is the best rule, and theory can do
no better than show how and why this should be the case.*17
These critical comments by Clausewitz are a source of much confusion.
Anyone who reads Jomini's most famous work--and if you think few people
actually read On War, there are even fewer who read the Summary--will
notice quite readily that Clausewitz's remarks seem unduly harsh and misleading.
Jomini's prefatory comments seem quite reasonable and entirely compatible
with a Clausewitzian understanding of war, despite Jomini's personal barbs
at Clausewitz. The frequently forgotten reason for this confusion is that
Clausewitz's comments are aimed at Jomini's Traité de grande
tactique and other early works. The Summary was written after Jomini had read On War--and after Clausewitz was safely dead. Clausewitz's
comments therefore do not reflect Jomini's modifications to his earlier
arguments, for the Summary contains many adjustments clearly attributable
to On War's arguments. These include Jomini's comments on the importance
of morale; the impossibility of fixed rules (save perhaps in tactics);
the need to assign limits to the role of theory; skepticism of mathematical
calculations (and a denial that Jomini's own work--despite all the geometrical
terminology and diagrams--was based on math); the disclaimer of any belief
that war is "a positive science"; and the clear differentiation between
mere military knowledge and actual battlefield skill.*19
Jomini acknowledged the truth of Clausewitz's strong connection between
politics and war. The Summary is full of references to "politique"--the
same term as Clausewitz's Politik. However, this similarity is
hidden by the standard English translation, which substitutes the term
"diplomacy"--i.e., only the politics that occurs between states,
not that within them as well. One example of a direct borrowing from On
War: "[T]he first care of a commander should be to agree with the
head of the state upon the character of the war." Compare this with Clausewitz:
"The first, the supreme, the most far-reaching act of judgment that the
statesman and commander have to make is to establish ... the kind of war
on which they are embarking; neither mistaking it for, nor trying to turn
it into, something that is alien to its nature."*20
These direct but unacknowledged borrowings from On War convince
many readers that the two theorists were thinking on parallel tracks.
Simultaneously, the two writers' overt mutual insults tend to make other
readers--those who are not familiar with both works--assume a basic contradiction
in their views. However, Jomini's recognition of the validity of many
of Clausewitz's points did not lead him to genuinely adopt Clausewitz's
philosophy, for at least three reasons. First, he correctly distinguished
his own work from Clausewitz's by pointing to its explicitly instructional
(i.e., doctrinal) purposes. Despite his agreement that war was essentially
a political act, he pointed to the practical implications of this different
focus: "History at once political and military offers more attractions,
but is also much more difficult to treat and does not accord easily with
the didactic species...."
Second, and in common with a number of Clausewitz's later detractors,
he found the Prussian's approach intellectually arrogant, overly metaphysical,
and simply too damned difficult to digest. Jomini stressed simplicity
and clarity over a "pretentious" search for deeper truths. Further, he
objected to what he saw as Clausewitz's extreme skepticism ("incrédulité")
of all military theory--save that in On War. For Clausewitz to
reject Jomini's approach to theory while defending his own seemed somehow
Third, there was a strong personal element in Jomini's critique of Clausewitz.
Clearly, he did on some level greatly admire Clausewitz's work. He regretted
that the Prussian had not been able to read his own Summary, "persuaded
that he would have rendered to it some justice." He was thus deeply wounded
by the criticisms in On War. He expressed his bitterness in a number
of sneers (e.g., "The works of Clausewitz have been incontestably
useful, although it is often less by the ideas of the author than by the
contrary ideas to which he gives birth") and in accusations of plagiarism
("There is not one of my reflections [on the campaign of 1799] which he
has not repeated"). These insults, because they refer to the Prussian
by name, have more meaning to readers unfamiliar with On War than
do the Summary's concessions on theoretical issues.
CONCLUSIONS: THE RETURN
The significance of all this, aside from whatever antiquarian interest
it may arouse, lies in certain recent attempts to revive Jomini. These
attempts are part of a reaction against the predominance of Clausewitzian
theory in this country since the Vietnam war. Over the years Clausewitz
has periodically been declared obsolete, only to reemerge more influential
than ever. Such arguments often focus on the problem of nuclear war, but
it seems increasingly likely that it is the nuclear theorists, not Clausewitz,
who have been rendered obsolescent.*21 There have also been complaints
by military traditionalists about the excessive influence of "Clausewitz
nuts" and by theoretical purists of the "the prostitution of Clausewitz
since 1981, particularly in [the U.S. Army's] FM 1005 and its various
degenerate offspring."*22 Both complaints have some justification. The
eclecticism of Anglo-Saxon military thought is rooted in the same spirit
as the Latin warning, "Cave ab homine unius libri" ("Beware the
man of one book"): a narrow reliance on Clausewitz is inconsistent with
the philosopher's own teaching. On the other hand, using On War as a mere stockpile of juicy quotes in support of this doctrinal position
or that is also an abuse.
In large part, however, criticism of the new Clausewitzianism is simply
reaction. Would-be competitors have little choice but to seek to dislodge
the Prussian philosopher from his post-Vietnam primacy. And, of course,
some people are simply tired of hearing about this long-dead genius. As
David Chandler has put it, "Clausewitz's airy Kantian generalizations
have held sway long enough."*23 It is also possible that in a world seemingly
freed of fundamental ideological (though obviously not nationalist) conflict,
in a period in which some would seriously suppose an "end to History,"
Clausewitz's strife-driven world view might come to seem less relevant.*24
Chandler's suggestion that "Baron Antoine-Jomini's rival (and more prosaic)
approach ... is under serious reconsideration" may be a symptom of such
a trend--though one may well ask, "by whom?" Such a trend may be further
encouraged by what seems to some--in forgetful retrospect--to have been
the un-Clausewitzian "simplicity" of the Persian Gulf War. Perhaps the very Clausewitzian complexity of that war's aftermath will squelch
the effort to renew Jomini's claim to Guru status.
My own argument is that most of what Jomini had to contribute that was
of real value--which was a great deal--has long since been absorbed into
the way we write practical doctrine. Clausewitz's contributions, on the
other hand, have not.*25 Indeed, given the brilliance and subtlety of
many of Clausewitz's concepts, it is hard to see how they could ever become the "conventional wisdom." Jomini is important in a purely historical
sense. In cultivating our own understanding of war, past, present, and
future, we must turn to Clausewitz.
See also Christoph M.V. Abegglen, "The
Influence of Clausewitz on Jomini's Précis de l'Art de la Guerre,"
Dissertation for an MA in War Studies King's College London, 2003.
[Superviser: Dr. Jan Willem Honig]
1. Lincoln's chief of staff General Henry W. Halleck is
generally considered a Jominian. He was also definitely aware of Clausewitz
and presumably had some notion as to his ideas. His greatest source of
inspiration may, however, have been neither Jomini nor Clausewitz, but
the Archduke Charles. See Thomas L. Connelly and Archer Jones, The
Politics of Command: Factions and Ideas in Confederate Strategy (Baton
Rouge: Louisiana State University Press, 1973, 2728, 30, 104, 176.
Russell F. Weigley adopts this view of the Archduke Charles's influence
on Halleck in his article "American Strategy from Its Beginnings through
the First World War," in Peter Paret, ed., Makers of Modern Strategy:
From Machiavelli to the Nuclear Age (Princeton: Princeton University
Press, 1986), 41617; it did not appear in his earlier chapter on
Halleck in Towards an American Army: Military Thought from Washington
to Marshall (New York: 1962), in which he saw Halleck as a more original
thinker, albeit heavily influenced by Jomini.
2. Mahan had become familiar with at least the broad outlines
of Clausewitz's thought by the 1890s. This is the view of two naval historians,
Captain (USN) William Dillworth Puleston, Mahan: The Life and Work
of Captain Alfred Thayer Mahan, U.S.N. (New Haven: Yale University
Press, 1939), 295, and Spector, Professors of War, 121. The editor
of Mahan's papers, however, is not sure that Mahan ever read Clausewitz,
and if he did, places it around 1910. See Robert Seager, Alfred Thayer
Mahan: The Man and his Letters (Annapolis: US Naval Institute Press,
1978), 552, 683,n.11. I am inclined to agree with this assessment, although
this does not eliminate the possibility that Mahan knew the broad outlines
of On War at an earlier date. Mahan's interest is further evidenced
by his marginal notes in a copy of Major Stewart Murray's 1909 condensation
of On War, The Reality of War (London: Hugh Rees, 1909).
Mahan's own copy has been lost, but his marginal notes were transcribed
into a copy donated to the Naval War College by Puleston, Mahan's biographer.
3. Alfred Thayer Mahan, Naval Strategy Compared and
Contrasted with the Principles and Practice of Military Operations on
Land: Lectures Delivered at the Naval War College, Newport, R.I., between
the Years 1887 and 1911 (Boston: Little, Brown, and Company, 1911;
reprinted Westport, Conn.: Greenwood Press, 1975), contains two explicit
references to Clausewitz. One is a footnote reference (120) to Clausewitz's
sarcastic discussion of "keys," (Book VI, Chapter 23 of On War).
The other (in which Mahan refers to Clausewitz as "one of the first of
authorities") is a reference to Corbett citing On War on the relative
strengths of defense and offense (279). This is part of an extended discussion
of some importance, in that Mahan is comparing the naval and land aspects
of strategy, and he is clearly discussing the Clausewitzian interpretation
without identifying it as such. [He used virtually the same phrasing in
his discussion of some naval wargames in a letter to Raymond P. Rogers,
4 March 1911, in Alfred Thayer Mahan, eds. Robert Seeger II and Doris
D. Maguire, Letters and Papers of Alfred Thayer Mahan (Annapolis:
Naval Institute Press, 1975.)] Mahan also discusses "ends and means" at
some length (esp. p5), in a manner strongly reminiscent of Clausewitz.
4. See Puleston, 295; Spector, 121.
5. While he thought that the equally great British Clausewitzian
Julian Corbett was wildly wrong in his interpretations.
6. Michael I. Handel, Masters of War: Sun Tzu, Clausewitz
and Jomini (London: Frank Cass, 1992).
7. Carl von Clausewitz, trans. Hans W. Gatzke, Principles
of War (Harrisburg, PA: The Military Service Publishing Company, 1942);
reprinted in Stackpole Books, Roots of Strategy: Book 2, 3 Military
Classics. Harrisburg, PA: Stackpole Books, 1987. [Originally "Die
wichtigsten Grundsatze des Kriegfuhrens zur Erganzung meines Unterrichts
bei Sr. Koniglichen Hoheit dem Kronprinzen" (written in 1812; trans.
from the 1936 German edition).] Another translation appears as an appendix
to J.J. Graham's 1873 translation of On War.
8. On Jomini, see Crane Brinton, Gordon A. Craig, and Felix
Gilbert, "Jomini," in Edward Mead Earle, ed., Makers of Modern Strategy:
Military Thought from Machiavelli to Hitler (Princeton: Princeton
University Press, 1944); Michael Howard, "Jomini and the Classical Tradition,"
in Michael Howard, ed., The Theory and Practice of War (New York:
Praeger, 1966); John Shy, "Jomini," in Peter Paret, ed., Makers of
Modern Strategy: From Machiavelli to the Nuclear Age (Princeton: Princeton
University Press, 1986).
9. The best English-language discussion of Jomini's military
career can be found in John R. Elting, "Jomini: Disciple of Napoleon?" Military Affairs, Spring 1964, 17-26. Unlike most biographical
discussions of the Swiss, which are based on his own highly colored reminiscences
to people he wished to impress, Elting's study is based on Xavier de Courville, Jomini, ou de le Devin de Napoleon (Paris, 1935). "Written by Jomini's
descendants, from his personal papers, it is the most impartial of his
10. Elting, "Jomini: Disciple of Napoleon?"
11. [Francis Egerton, Lord Ellesmere], "Marmont, Siborne,
and Alison," Quarterly Review, v.LXXVI (June and September 1845),
204247, a joint venture of John Gurwood, Egerton, and Wellington
himself. See Archives of the John Murray Company, manuscript index to
v.LXXVI, Quarterly Review; J.H. Stocqueler (pseud.), The Life
of Field Marshal the Duke of Wellington (London: Ingram, Cooke, and
Company, 1853), v.II, 330.
12. See, for example, Articles XVIII-XXII of the Summary.
13.. For Jomini's theoretical writings in English translation,
see AntoineHenri Jomini, trans. Col. S.B. Holabird, U.S.A., Treatise
on Grand Military Operations: or A Critical and Military History of the
Wars of Frederick the Great as Contrasted with the Modern System,
2 vols. (New York: D. van Nostrand, 1865); Baron de Jomini, trans. Major
O.F. Winship and Lieut. E.E. McLean, The Art of War (New York:
G.P. Putnam, 1854). Important derivative works include Dennis Hart Mahan's
instructional works for West Point; Henry Wager Halleck, Elements of
Military Art and Science (New York: D. Appleton and Company, 1846);
Edward Bruce Hamley (182493), The Operations of War Explained
and Illustrated (London: William Blackwood and Sons, 1866).
14.. Most discussions of Jomini compare him to Clausewitz.
For explicit efforts to do so, see Department of Military Art and Engineering,
USMA, Clausewitz, Jomini, Schlieffen (West Point, 1951 [rewritten,
in part, by Colonel [USA] John R. Elting, 1964]); J.E. Edmonds, "Jomini
and Clausewitz" [a treatment extremely hostile to the German], Canadian
Army Journal, v.V, no.2 (May 1951), 6469; Joseph L. Harsh, "Battlesword
and Rapier: Clausewitz, Jomini, and the American Civil War," Military
Affairs, December 1974, 133138; Major [USAF] Francis S. Jones,
"Analysis and Comparison of the Ideas and Later Influences of Henri Jomini
and Carl von Clausewitz," Paper, Maxwell Air Force Base, AL: Air Command
and Staff College, April 1985; Colonel [USA] Richard M. Swain, "`The Hedgehog
and the Fox': Jomini, Clausewitz, and History," Naval War College Review,
Autumn 1990, 98-109.
15. Gatzke, Principles of War, 49 (p39 in Cochenhausen, Grundsatze).
16. Clausewitz, Gatzke ed., Principles of War, 12;
Cochenhausen, Grundsatze, 9. See also pp 22/17).
17.. On War, Book Two, Chapter 2.
18. In later versions of the Treatise, Jomini dropped his
insistence on interior lines, acknowledging á la Clausewitz that
the value of interior or concentric lines depended on the situation. (Holabird,
19.. These points are most easily found in the bibliographical
essay which opened the original French edition of the Summary,
"Notice: sur la théorie actuelle de la guerre et sur son utilité"
("On the Present Theory of War and of Its Utility"). This essay is missing
from (or severely edited in) most English language editions, although
it is present in the 1854 American translation.
20. Jomini, trans. Mendell and Craighill, Summary,
66; Clausewitz, On War, 88-89.
21. John E. Shephard, Jr., makes a recent case for Clausewitz's
partial obsolescence in "On War: Is Clausewitz Still Relevant?"
See also Bruce R. Nardulli, "Clausewitz and the Reorientation of Nuclear
Strategy," Journal of Strategic Studies, December 1982, 494-510.
22. Achenbach, "War and the Cult of Clausewitz," quoting
Colonel (USA, retired) Arthur Lykke, a senior professor of strategy at
the Army War College; Colonel [USA, ret.] Lloyd Matthews, editor of Parameters,
letter 17 July 1989.
23. David G. Chandler, in an enthusiastic review of Weigley's Age of Battles, Journal of Military History, April 1992,
24. Martin van Creveld attempted in The Transformation
of War (New York: Free Press, 1991) "to construct a different, non-Clausewitzian
and non-strategic, framework for thinking about war." He argues that war
in the postCold War era is driven by forces outside the nation-state
system and beyond the rational boundaries allegedly emphasized in On
War. The pattern of conflict in the post1945 world no longer
yields to the "Clausewitzian assumption that war is rational." In this
view, the "Clausewitzian universe" is obsolete because it is centered
on warmaking by the "state"; Clausewitz's alleged trinity of government,
army, and people is therefore not applicable to Europe before the Treaty
of Westphalia nor to the world emerging from the Cold War era.
25. Bernard Brodie often made puzzled references, e.g.,
"The Continuing Relevance of On War," 50, to the failure of modern
military thought to incorporate and supersede Clausewitz, in the manner
in which, say, Adam Smith's contribution to economics has been.
Brinton, Crane, Gordon A. Craig, and Felix Gilbert. "Jomini."
Edward Mead Earle, ed. Makers of Modern Strategy: Military Thought
from Machiavelli to Hitler. Princeton: Princeton University Press,
Clausewitz, Carl von, trans. Colonel J.J. [James John]
Graham. On War. London:
N. Trhbner, 1873.
Clausewitz, Carl von, trans. Hans W. Gatzke. Principles
of War. Harrisburg, PA: The Military Service Publishing Company,
1942; reprinted in Stackpole Books, Roots of Strategy: Book 2, 3 Military
Classics. Harrisburg, PA: Stackpole Books, 1987. [Originally written
1812: Carl von Clausewitz, General Friedrich von Cochenhausen, ed. "Die
wichtigsten Grundsatze des Kriegfuhrens zur Erganzung meines Unterrichts
bei Sr. K`niglichen Hoheit
dem Kronprinzen. Berlin: Jhnker und Dhnnhaupt
Verlag, 1936.] Another translation appears as an appendix to J.J. Graham's
translation of On War.
Clausewitz, Carl von, eds./trans. Michael Howard and Peter
Paret. On War. Princeton: Princeton University Press, 1976.
Courville, Xavier de. Jomini, ou de le Devin de Napoleon.
Department of Military Art and Engineering, USMA. Clausewitz,
Jomini, Schlieffen. West Point, 1951. [Rewritten, in part by Colonel
[USA] John R. Elting, 1964.]
Elting, John R. "Jomini: Disciple of Napoleon?" Military
Affairs, Spring 1964, 17-26.
Edmonds, Brigadier General Sir J.E. "Jomini and Clausewitz." Canadian Army Journal, v.V, no.2 (May 1951), 6469.
Harsh, Joseph L. "Battlesword and Rapier: Clausewitz, Jomini,
and the American Civil War." Military Affairs, December 1974, 133138.
Hattaway, Herman, and Archer Jones. How the North Won:
A Military History of the Civil War. Urbana: University of Illinois
Hattendorf, John B. "Sir Julian Corbett on the Significance
of Naval History." The American Neptune, v.XXXI, no.4, 1971.
Hittle, Brigadier General [USMC] J. D., ed. Jomini and
his Summary of the Art of War: A Condensed Version. Harrisburg, PA:
1947; reprinted in Stackpole Books, Roots of Strategy: Book 2, 3 Military
Classics. Harrisburg, PA: Stackpole Books, 1987.
Howard, Michael. "Jomini and the Classical Tradition."
Michael Howard, ed. The Theory and Practice of War. New York: Praeger,
Jomini, Henri. Traité de grande tactique, ou, Relation de la guerre de sept ans, extraite
de Tempelhof, commentée at
comparée aux principales opérations de la dernière
guerre; avec un recueil des maximes les plus important de l'art militaire,
justifiées par ces différents
évenéments. Paris: Giguet et Michaud, 1805.
Jomini, Le Baron de. Précis de l'Art de la Guerre: Des Principales Combinaisons de la Stratégie,
de la Grande Tactique et de la Politique Militaire. Brussels: Meline,
Cans et Copagnie, 1838.
Jomini, Baron de, trans. Major O.F. Winship and Lieut.
E.E. McLean [USA]. The Art of War. New York: G.P. Putnam, 1854.
Jomini, Baron de, trans. Capt. G.H. Mendell and Lieut.
W.P. Craighill [USA]. The Art of War. Philadelphia: J.B. Lippincott,
1862; reprinted, Westport, CT: Greenwood Press, 1971; reprinted, with
a new introduction by Charles Messenger, London: Greenhill Books, 1992.
Jomini, AntoineHenri, trans. Col. S.B. Holabird, U.S.A. Treatise on Grand Military Operations: or A Critical and Military History
of the Wars of Frederick the Great as Contrasted with the Modern System,
2 vols. New York: D. van Nostrand, 1865.
Jones, Archer. "Jomini and the Strategy of the American
Civil War: A Reinterpretation." Military Affairs, XXXIV, December
Jones, Major [USAF] Francis S. "Analysis and Comparison
of the Ideas and Later Influences of Henri Jomini and Carl von Clausewitz."
Paper, Maxwell Air Force Base, AL: Air Command and Staff College, April
McGinnis, Major [USA] Thomas M. "Jomini and the Ardennes:
An Analysis of Lines of Operation and Decisive Points." Fort Leavenworth,
KS: School of Advanced Military Studies, May 1988.
Shy, John. "Jomini." Peter Paret, ed. Makers of Modern
Strategy: From Machiavelli to the Nuclear Age. Princeton: Princeton
University Press, 1986.
Swain, Colonel [USA] Richard M. "`The Hedgehog and the
Fox': Jomini, Clausewitz, and History." Naval War College Review,
Autumn 1990, 98-109.
Williams, T. Harry. "The Return of Jomini: Some Thoughts
on Recent Civil War Writing." Military Affairs, December 1975,
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